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Siteless: 1001 Building Forms
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An attempt to free architecture from site and program constraints and to counter the profusion of ever bigger architecture books with ever smaller content.Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he “didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction.†What would happen if architects liberated their minds from the constraints of site, program, and budget? he asks. The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.The 1001 building forms in SITELESS include structural parasites, chain link towers, ball bearing floors, corrugated corners, exponential balconies, radial facades, crawling frames, forensic housing―and other architectural ideas that may require construction techniques not yet developed and a relation to gravity not yet achieved. SITELESS presents an open-ended compendium of visual ideas for the architectural imagination to draw from. The forms, drawn freehand (to avoid software-specific shapes) but from a constant viewing angle, are presented twelve to a page, with no scale, order, or end to the series. After setting down 1001 forms in siteless conditions and embryonic stages, Blanciak takes one of the forms and performs a “scale test,†showing what happens when one of these fantastic ideas is subjected to the actual constraints of a site in central Tokyo. The book ends by illustrating the potential of these shapes to morph into actual building proportions.
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Product details
Paperback: 128 pages
Publisher: The MIT Press (February 29, 2008)
Language: English
ISBN-10: 0262026309
ISBN-13: 978-0262026307
Product Dimensions:
5.4 x 0.3 x 8 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
30 customer reviews
Amazon Best Sellers Rank:
#110,200 in Books (See Top 100 in Books)
Almost no text whatsoever if I remember correctly which isn't bad. It has very very interesting shapes. I seriously do not know what you can apply to those shapes but I use them to sketch and improve on my shadows and sketching. I bought it thinking it would inspire me to make some architectural models but that was not the case some of those shapes are very hard to make but as I get better at model making I will attempt them. ( I just made my first model a couple of weeks ago so I am a beginner)Great shipping and quality of book.
Excellent book...helps to open up the imagination to numerous possibilities on possible building forms but thinking about it critically these forms could be anything you want...another marginal benefit this book conveys is shade giving depth/mass to the surfaces and volume of each object
I received this book less than an hour ago and it blew my mind. I am an artist not an architect. Each little drawing is a wonderful perspective study. I will be using this book to copy, explore, and extend these forms. The only thing the drawings are missing are shadows, but I think this omission was on purpose to keep these forms truly siteless in the architectural sense.
I am an architecture student and whenever I get stuck on a project, I flip through this book to get some inspiration.
bought mine during the summer. definitely worth to go through each form and try to develop a mini project out of that.The content in this book is extremely helpful in order to generate the initial massing during the design process. I'd definitely recommend this book for architecture students out there to check out this book.
An architecture professor recommended this book years ago, but said that the author's love of Japan should be 'taken with a grain of salt'. However, Japan (Tokyo) is only the fourth of four sections. The first section is China (Hong Kong), the second section is England (London), and the third section is the Netherlands (Brussels). But, these names are deceptive. It is really a book of original illustrations, not history or lore. And in this way it marvelously succeeds.I love the way the miniature illustrations seem to permute, almost imperceptibly. Almost no one has been so successful with permutation. This effect has even inspired some of my own philosophical ideas, about systems and natures. It is a vastly technological book, in a very estimated sense. Almost nothing else has been so inspiring about the flight of ideas. If there is any danger, it is that this book cannot be written again. It's that precocious.
Interesting. I like it
A very insightful little book. Lots of graphic information.
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